I get what director Jason Eisner was trying to accomplish with Hobo With A Shotgun. Really, I do.
Last night I caught the world premiere of the Quentin Tarantino produced thriller, HELL RIDE, which was one of the most crowded screenings thus far at the Sundance Film Festival.
GRAVE ENCOUNTERS was the reality show to end all reality shows – years ahead of its time.
In Grabbers a quaint Irish fishing village is tormented by an invasion of squid-like creatures with round toothy mouths.
Max Brooks’ two recent, brilliantly conveyed novels (The Zombie Survival Guide, World War Z: An Oral History of the Zombie War) have intellectualized the debate surrounding zombie mythology to a staggering degree.
Picking up minutes after [REC]‘s finale, [REC] 2 gets going right away as a SWAT team and doctor storm the apartment building where Angela Vida
Following a screening of Vincenzo Natali’s Splice last night in Los Angeles, Bloody Disgusting’s BC and myself stood wide-eyed in an elevator with fellow colleagues soaked in silence.
A work-in-progress version of Sam Raimi's horror comeback Drag Me to Hell screened in the wee morning hours of Monday, January 16th at the SXSW Film Festival in Austin, Texas.
While I was lucky enough to be one of the first audiences to see Sam Raimi’s big return to horror in Drag Me to Hell (read
Obviously I love slasher movies; I can count at least 3 among my top 20 movies of all time (all genres, not just horror).