Despite being shown in theatres, it’s hard to actually classify The Human Centipede 2: Full Sequence as a film.
Bloody Disgusting
Not to be confused with Lionsgate/Platinum Dunes’ forthcoming The Horsemen, David Harley posted his review of the popular Aissue thriller The Horseman, which has been making festival rounds this year.
For the first time in five years I was a witness to the rowdy Midnight Madness audience stunned to deafening silence.
Whether it’s the disturbingly graphic crimes depicted in I Spit On Your Grave or the blatant “my dress overfloweth” attitude of Hammer films, I think most genre fans would agree that sex and horr
Last night Bloody-Disgusting’s Tim Anderson was among the first to see Lionsgate’s The Haunting in Connecticut, which screened at the SXSW Film Festival in Austin, Texas.
The Divide, the latest film by Xavier Gens, opens not with a whimper but a bang as missiles level New York while Eva (Lauren German) watches the famous skyline turn a cloudy orange.
On the Eve of D-Day, two Allied commandos sent to destroy a German gun installation uncover a secret occult lair where the Nazis are hiding a deadly she-demon, whom they plan to use to turn the tide of the war.
Paramount Insurge’s found footage exorcism flick The Devil Inside is now in theaters everywhere.
The Darkest Hour, while not awful or grating, is the kind of movie that you forget while walking out of the theatre.
If you’re on Santa’s naughty list, you’re in for a lot more than a lump of coal in Steven C. Miller’s liberal remake of the scandalous 80s slasher, Silent Night, Deadly Night.









