Livid is about the most frustrating movie-going experience of Fantastic Fest.
Shock Till You Drop
Toronto After Dark’s opening gala, Let The Right One In is quite possibly the most appropriate film to open a festival which prides itself on exposing its audience to cult film.
The Nazi’s are like an infinite gift to horror filmmakers. The depths of their depravity was limitless, allowing for all sorts of possibilities. They could create super-soldiers (S.S.
Well into The Devil Inside, the latest “found footage” exorcism film to hit the screen, the camera is turned on the documentarian filmmaker responsible for all of the footage we’ve been watching.
Silent Night, Deadly Night was a totally unhinged movie - wrong on many levels, often hilarious, often pitch black in its tonal direction and unabashedly sadistic.
Someone has been ingesting quite a bit of Richard Kelly and Stephen King, namely, the latter's "The Tommyknockers" and "Dreamcatcher." The Corridor, a thriller blending sci-fi and horror elements,
In all honesty, I sat down to watch Jennifer's Body with all the joy of someone sitting down to dine on a bowlful of cold barf.
No appendage is left intact, everyone has a price on their head and writer-director Eli Roth explores his feminine side in Hostel: Part II, the follow-up to 2006's box office hit that opened the year in horror
To fully demonstrate just how low the cinematic world of Hellraiser has gone (yes, lower than Hellraiser: Hellworld), there's a scene in Hellraiser: Revelations in which a young woman named Emma









