A sociopathic odyssey, SIMON KILLER is less explicit horror and more the true nature of psychological thriller. Simon is unknowable; his intentions, actions, words and the truth behind them, unknown.
ASTRON-6 deliver real exploitation film shocks and laughs with FATHER’S DAY; late to the grindhouse fad game but it shows everybody else how it’s done.
Two years ago, Israeli writer/directors Aharon Keshales and Navot Papushado provided an out-of-nowhere highlight of the Tribeca Film Festival with RABIES, their multiple-twisty variation on killer-in-the-woods standards.
One could argue that the goal for any horror or thriller filmmaker is to keep the audience, at the very least, figuring out the story’s twists and turns alongside the protagonist.
You might find difficulty being eloquent when it comes to navigating and expressing thoughts on YOU'RE NEXT.
Leonard Maltin’s 2.5 star review of Sam Raimi’s original THE EVIL DEAD in his pre-IMDB/Rotten Tomatoes printed reference book summed up the picture’s plot like this: “Five kids at mountain cabin c
Rushed into its release slot today after Sony’s next-to-last-minute bumping of CARRIE to the Halloween season, THE CALL, which only began filming late last summer, feels neither rushed nor like a throwaway substitu
Love him or loathe him, there’s no denying that Rob Zombie made a major impact on screen terror since transitioning into directing.
While not exactly the type of film where one ends up asking themselves just who the title refers to (that line is drawn pretty clearly), there is a unifying trait in the entire ensemble of Mitchell Altieri’s thrill