The opening scene of THE RAVEN finds Edgar Allan Poe, played by John Cusack, gazing upward at the eponymous bird circling a full moon.
Every few years, a foreign film crosses the pond to remind us how a genre movie is supposed to be.
Take one part CALVAIRE/THE ORDEAL and one part HIGH TENSION, stir in some mutants and you have LA MEUTE (THE PACK), which unfortunately shapes up as one of the weakest in the past decade’s resurgence of French-lang
THE MOTH DIARIES is the long-awaited new Canadian-Irish psychological vampire film from Mary Harron that had its North American premiere at the 2011 Toronto International Film Festival.
It's a bad analogy—because it often conjures up thoughts of junk food and Doritos—but sometimes horror simply needs comfort food.
The people behind PARANORMAL ACTIVITY 2 clearly learned a lesson from the debacle of BLAIR WITCH 2: BOOK OF SHADOWS; they’ve hewed scrupulously close to the original film in style and tone.
Amidst a genre constantly spawning substyles and movements, the most interesting are often the least expected.
There have been many—probably way too many—movies made about terrible events within and surrounding the house at 112 Ocean Avenue in Amityville, New York, most purporting to be based to some degree or another
Lit like a Skinemax homage to colorful Eurohorror and Sam Raimi, MEMORY OF THE DEAD ends up an inept, juvenile sub-Tommy Wirkola bit of occult horror that only manages to confirm its filmmakers have—much like you&m