12/03/2012 - 6:20pm

In response to our own Bekah McKendry’s positive review of the already controversial THE DIVIDE, this writer has opted to offer a different, less enthusiastic perspective.

12/03/2012 - 5:56pm

Not since THE RING have I approached a remake with as much trepidation as I did LET ME IN.

12/03/2012 - 5:42pm

THE DEVIL’S ROCK, a so-so supernatural flick from New Zealand, doesn’t feel fresh so much as uncommon.

12/03/2012 - 5:32pm

Two feature films in, and UK-based director Ben Wheatley has already carved out a personality and style that’s recognizable as all his own.

12/03/2012 - 5:14pm

Endings are always a challenge when making horror films, but especially in the found-footage subgenre, where coming up with a conclusion that satisfies both the particular demands of this technique and the basic expectat

12/03/2012 - 2:27pm

Sadly, we live in the sort of times that encourage an influx of gloomy postapocalypse movies.

12/03/2012 - 2:05pm

Early in THE DARKEST HOUR, best friends Sean (Emile Hirsch) and Ben (Max Minghella), newly arrived in Russia, discuss the possibility of hooking up with a cute American girl in a local bar.

12/03/2012 - 1:02pm

The horror genre has a great history of Christmas films.

11/30/2012 - 6:32pm

Following a friend’s enthusiastic recommendation, positive word of mouth and the gorgeous poster (pictured below) I kept seeing around the Fantasia festival, I made a point of getting out of the house early to see

11/30/2012 - 6:07pm

In 2009’s THE COLLECTOR, directed by Marcus Dunstan from a screenplay he wrote with Patrick Melton, we were introduced to Arkin (Josh Stewart), a comparatively innocent thief attempting to burglarize a house.