They say that a good horror film is all in the buildup, and ENTRANCE puts that idea to the ultimate test, in that the vast majority of it is buildup.
It’s not uncommon for studios and distributors, fearing the wrath of critics, to refrain from screening horror movies in advance; APOLLO 18 and SHARK NIGHT 3D went that route just this past month.
For anyone who’s ever said they’d kill for the right place to live, your horror heroine has arrived.
DON’T GO IN THE WOODS is not a remake of the 1981 film of the same title—which is probably just as well, given that that movie occupies one of the lowest rungs on the slasher-flick ladder.
It’s fitting that Joseph Kahn’s manic teen horror/comedy DETENTION (a world premiere at the current SXSW fest) contains a good bit of time travel, as the film itself often feels as if it’s satirizing a
Tim Burton has remade everything from science-fiction favorites to children’s classics, but DARK SHADOWS marks the first time that he (or anyone in decades) has brought a TV soap opera to the big screen.
Undoubtedly a touchstone, THE AGGRESSION SCALE eventually plays like a sort of ultraviolent take on HOME ALONE as a group of thugs, in search of their boss’ stolen cash, come face-to-face with a silent, badass and
First, a disclaimer: URBAN EXPLORER played Screamfest this week, and there was an error.
Drive-in-style horror isn’t the only kind of cinema they don’t make like they used to back in the ’70s.