Fangoria Movie Review - Berberian Sound Studio


The word “homage” is a battered old mare when it comes to horror, with many a filmmaker confusing the term—which can most appropriately be applied to directors like Brian De Palma or Quentin Tarantino, who graft elements and DNA of pictures they admire onto fresh frameworks—with ripoff. Look at the “grindhouse” phenomenon, a dubious and meaningless label that has given birth to an endless parade of pink-tinted, fake-aged visuals and replicant movements creating works that are by now rather tired, unimaginative and poor Xeroxes of the accidentally awesome trash classics they ape.

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