Fangoria Movie Review - Outcast


Amidst a genre constantly spawning substyles and movements, the most interesting are often the least expected. This year alone, three notable horror films—Darren Aronofsky’s BLACK SWAN, Phillip Ridley’s HEARTLESS and the subject of this review, Colm McCarthy’s OUTCAST—beautifully and successfully mix the raw, handheld presentation of city-centric and urban environments with the surreal, magical and supernatural. And by filming such topics in a realistic and confrontational manner, rather than lush, soft and more traditionally, the three filmmakers have all created unique and fascinating films worth seeking out.

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