shock till you drop

11/29/2012 - 2:07pm

ears after being merged with the demon Zarathos in a deal with the Devil, Johnny Blaze (Nicolas Cage) is trying to lose himself in Eastern Europe when he encounters a gypsy named Nadya (Violante Placido) and her young so

11/29/2012 - 1:26pm

When Sean Cunningham directed a little slasher film in 1980 called Friday the 13th, he ignited a blood-drenched phenomenon that pervaded pop culture and, through eleven films, introduced audiences to Jason Voorhee

11/22/2012 - 5:44pm

I know it's a physical impossibility to kick a movie in the balls but I'd really like to do that to the remake of The Stepfather - preferably while wearing steel-toed boots.

11/21/2012 - 2:30pm

Nods to classic horror monsters, amazing animation, and a return to old school Tim Burton form make Frankenweenie a lot of fun, but a largely spoiled plot and a bland lead character keep the film from re

11/21/2012 - 1:01pm

Suzy ambles through life, navigating a very mundane existence. Her routine goes something like this: Get out of bed, practice complacent stare, get ready, go to work, come home, repeat.

11/21/2012 - 12:16pm

In Mega-City One, Judge Dredd (Karl Urban) is the law and when he's put in charge of testing out a psychic rookie judge named Anderson (Olivia Thirlby), the two of them investigate a hom

11/21/2012 - 11:27am

One will need a cast-iron stomach to endure the final act of Dread, the latest Clive Barker adaptation to come down the pipe.

11/20/2012 - 5:38pm

Two things you need to know before going into Drag Me to Hell, Universal's summertime horror offering that easily stands strong alongside the big guns gobbling up box office receipts.

11/20/2012 - 5:26pm

Even as a aficionado of both horror movies and rock music, it's hard to decide what is more painful to watch: genre clichés rehashed in the worst and most obvious ways possible, or the pained sincerity of a sin

11/20/2012 - 5:18pm

Even as a aficionado of both horror movies and rock music, it's hard to decide what is more painful to watch: genre clichés rehashed in the worst and most obvious ways possible, or the pained sincerity of a sin

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