Alexandra Paul

If Laura Mulvey ever decided to write about cars, she’d have a field day with John Carpenter’s 1983 Stephen King adaptation Christine. Forget cinema’s “male gaze,” [how’s that for a reference, fellow film nerds?] she’d need to term the phrase “car gaze” as the film completely, and unabashedly, fetishes every single inch of the beautiful red 1958 Plymouth Fury named Christine. T