While not exactly the type of film where one ends up asking themselves just who the title refers to (that line is drawn pretty clearly), there is a unifying trait in the entire ensemble of Mitche
KISS OF THE DAMNED will most often be referred to as throwback.
While there’s nary a viral video to be found in CHEAP THRILLS, the film is imbued with the culture of now (maybe always) and the fact that despite pleas for peace, we as humans enjoy seeing
To clear up one key issue right off the bat: SAINT (a.k.a.
THE DISAPPEARANCE OF ALICE CREED isn’t really a horror movie, but it’s the best thing I’ve seen so far at this year’s Tribeca Film Festival, and is highly recommended to a
THE LAST EXORCISM is an exciting film. It’s exciting to watch, be a part of and then eagerly discuss after.
Where V/H/S was a raw, lo-fi and frightening odyssey via POV, its sequel is—and from the very outset—bigger, weirder and even reflective of its predecessor.