The American reboot of Japan’s most famous monster is not so much a great Godzilla movie as a great movie about Godzilla—a subtle difference, but one that’s crucial to Gareth Ed
According to the ads, JINN is “The secret half the world has been keeping”—and they’re not the only ones.
“Have you ever killed something?” Bea asks.
Extreme-shock fans tempted by the prospect of an NC-17 found-footage fright film should be advised that the sexy stuff in LUCKY BASTARD is a lot more explicit than the horror content.
Sometimes, when telling a story about the afterlife, there’s an inherent understanding that plot and character can fall by the wayside in the name of pure, visceral terror.
Reviewing KNIGHTS OF BADASSDOM puts one in a situation that has become depressingly familiar: Having to address the movie that’s there instead of the movie it once was, could and should hav
It’s unlikely there exists a 2014 movie with more spectacular bloodshed than THE RAID 2.
How does one, as a storyteller, approach a film about women fighting to the death in a grisly secret tournament without risking accusations of misogyny?