As a spin-off of sorts, and the latest entry in what’s currently the (possibly waning) horror franchise du jour, there are essentially three things that surprise in PARANORMAL ACTIVITY: THE
In TOAD ROAD, Hell is many things. One is a destination, of course. More than that however, it’s a goal.
The ultimate terror for any, even half-decent, parent is the unthinkable—yet perfectly feasible—concept of losing their child.
Yes, the Big Reveal at the end is intact.
Vincenzo Natali, the Canadian director whose previous films like CUBE and SPLICE have plumbed the horrors of hard science, takes a successful turn toward the ghostly with HAUNTER.
Among the reasons cited for giving Stephen King’s CARRIE another cinematic whirl, one of the most prominent has been the rise of bullying as a concern since Brian De Palma’s 1976 adap
Los Angeles’ Screamfest has become known as a place for indie films that might otherwise struggle for screenings to not only have a theatrical showing, but also catch the eyes of Hollywood&
How do you make a sequel to a film that came to a pretty concrete ending?
It is not rare to find a director appropriating, or recalling, the stylistic flair of Alfred Hitchcock, Brian De Palma or Dario Argento.
It’s been a long six years since BLUE RUIN director Jeremy Saulnier graced the pages of FANGORIA (virtual or otherwise); back in 2007 his riotous horror comedy MURDER PARTY was a hit among