Vincenzo Natali, the Canadian director whose previous films like CUBE and SPLICE have plumbed the horrors of hard science, takes a successful turn toward the ghostly with HAUNTER.
Among the reasons cited for giving Stephen King’s CARRIE another cinematic whirl, one of the most prominent has been the rise of bullying as a concern since Brian De Palma’s 1976 adap
How do you make a sequel to a film that came to a pretty concrete ending?
It is not rare to find a director appropriating, or recalling, the stylistic flair of Alfred Hitchcock, Brian De Palma or Dario Argento.
It’s been a long six years since BLUE RUIN director Jeremy Saulnier graced the pages of FANGORIA (virtual or otherwise); back in 2007 his riotous horror comedy MURDER PARTY was a hit among
The challenge involved in making a direct horror sequel like INSIDIOUS: CHAPTER 2 is that it’s harder to mystify and scare both audiences and the characters the second time around.
Mike Flanagan’s debut picture ABSENTIA was something truly special: a quiet, slow burning indie horror film that betrayed its budgetary cramps at every turn and used an existing location&md
More faux doc than “found footage,” Ti West’s THE SACRAMENT exceeds at effectively blurring lines, subsequently succeeding at being horrifying and grounded.
Not all of them, unfortunately.
Considering that the Patterson-Gimlin film clip of a wandering Bigfoot is perhaps the most famous bit of amateur monster footage in history, it’s surprising that a modern vérité horror film