The challenge involved in making a direct horror sequel like INSIDIOUS: CHAPTER 2 is that it’s harder to mystify and scare both audiences and the characters the second time around.
Mike Flanagan’s debut picture ABSENTIA was something truly special: a quiet, slow burning indie horror film that betrayed its budgetary cramps at every turn and used an existing location&md
More faux doc than “found footage,” Ti West’s THE SACRAMENT exceeds at effectively blurring lines, subsequently succeeding at being horrifying and grounded.
Long before they made contemporary controversial horror favorites like MAY, THE WOMAN and THE LOST Lucky McKee and Chris Sivertson were a pair of fresh faced film grads who decided to shoot their
Not all of them, unfortunately.
Considering that the Patterson-Gimlin film clip of a wandering Bigfoot is perhaps the most famous bit of amateur monster footage in history, it’s surprising that a modern vérité horror film
The noted philosophers of Spinal Tap once observed that “There’s a fine line between stupid and clever,” and it’s that delineation that gives BIG ASS SPIDER!
You don’t have to be drunk to have a feckin’ good time with GRABBERS, which plays out a traditional monsters-attack-a-community scenario with a distinct and tasty Irish flavor.
In this era when big summer FX spectacles seem to be produced by accountants as often as filmmakers, the news that Guillermo del Toro, who has brought more soul to genre cinema than anyone else i
100 BLOODY ACRES isn’t a straight horror film, despite what the title may lead you to believe.