Based on the broadest definition of genre, Alfonso Cuarón’s astounding new film GRAVITY doesn’t cleanly qualify as horror.
With only a handful of movies, writer/director Ben Wheatley has already established himself as one of the finest filmmakers of his generation.
Mike Flanagan’s debut picture ABSENTIA was something truly special: a quiet, slow burning indie horror film that betrayed its budgetary cramps at every turn and used an existing location&md
Each year, TIFF’s Midnight Madness program provides a home for hungry genre buffs where blood is spilled for adoring crowds to squeal in delight.
More faux doc than “found footage,” Ti West’s THE SACRAMENT exceeds at effectively blurring lines, subsequently succeeding at being horrifying and grounded.
Ready-to-pop pregnant Esther Woodhouse (Alexia Rasmussen, pictured above) is walking home from an obstetrician’s appointment when she’s brutally attacked in the street by a hooded str
If you recall, we first met Richard Riddick, an extreme survivalist Furyan with hyper sensitive eyes that aid him to see in the dark at long distances, in the modern cult favorite PITCH BLACK.