When it was announced that Barry Levinson was going to be having a film as part of the TIFF Midnight Madness slate, and that it would be a found footage horror piece about infected water, I admit I
A textbook case of a remake failing to improve on a classic original, Come Out And Play not only loses the context of the hidden Narciso Ibáñez Serrador directed gem, which was released on the heel
Playing in the Midnight Madness section to a ravenous audience expecting thrills every reel, the fact that Aftershock takes its sweet-ass time to get going feels like a bold move indeed.
Few films have the power to truly haunt their audience in a way Stanley Kubrick's The Shining does, and continues to do, 30 years after its initial release.
"I'm a woman, and you're a Catholic. Everything I do is a sin." -- A taste of the in-your-face comedy on display in J.T.
As a stomach-churning, jet-black satire of modern culture, Brandon Cronenberg's Antiviral is a resounding success, and is directed with precision and conviction.
Excision, a gory, coming-of-age horror/comedy, wears its influences on its sleeve; so much so, that you'll have to forgive me, and probably numerous other critics, for describing it as Welcome to t