Mike Pereira continues his ten year anniversary of covering the Toronto International Film Festival with a review of Joe Begos’ highly ambitious, Almost Human, which harks backs to classic
To be honest, I’ve grown exasperated with the whole found footage sub-genre.
Every story has pretty much been told. When it comes to supernatural horror, every concept and image has been exhausted.
Each year, TIFF’s Midnight Madness program provides a home for hungry genre buffs where blood is spilled for adoring crowds to squeal in delight.
I’ve been a fan of Writer/Director Ti West ever since Mr. Disgusting led me to his debut, The Roost. I was hooked right away.
Before starting this review, I’m going to come out and say it; I’m a Rob Zombie fan. Whether it be his albums, films or comic book ventures; you name it, I got it.
At the moment, the found-footage sub-genre is all the rage.
Being a critic can be difficult because you have to weigh the artistic integrity of a film alongside the entertainment value.