It’s unlikely there exists a 2014 movie with more spectacular bloodshed than THE RAID 2.
How does one, as a storyteller, approach a film about women fighting to the death in a grisly secret tournament without risking accusations of misogyny?
A heavy sense of dread is cast over films in which terrible things befall characters that inhabit a sunny, 50s-esque world.
Remember the original run of Star Trek films? The ones that hit between 1979 and 1991?
As a spin-off of sorts, and the latest entry in what’s currently the (possibly waning) horror franchise du jour, there are essentially three things that surprise in PARANORMAL ACTIVITY: THE
In TOAD ROAD, Hell is many things. One is a destination, of course. More than that however, it’s a goal.
The ultimate terror for any, even half-decent, parent is the unthinkable—yet perfectly feasible—concept of losing their child.
At this point in the history of science fiction film, there’s ironically little territory left to cover in space.
Yes, the Big Reveal at the end is intact.