The suspenseful opening sequence of Mark Hartley’s narrative debut, PATRICK, deals in a time honored thriller trope.
It’s been a long six years since BLUE RUIN director Jeremy Saulnier graced the pages of FANGORIA (virtual or otherwise); back in 2007 his riotous horror comedy MURDER PARTY was a hit among
Mike Pereira continues his ten year anniversary of covering the Toronto International Film Festival with a review of Joe Begos’ highly ambitious, Almost Human, which harks backs to classic
Based on the broadest definition of genre, Alfonso Cuarón’s astounding new film GRAVITY doesn’t cleanly qualify as horror.
The challenge involved in making a direct horror sequel like INSIDIOUS: CHAPTER 2 is that it’s harder to mystify and scare both audiences and the characters the second time around.