As a spin-off of sorts, and the latest entry in what’s currently the (possibly waning) horror franchise du jour, there are essentially three things that surprise in PARANORMAL ACTIVITY: THE
Open Grave opens with one of the most promising sequences I have seen in a long time.
In TOAD ROAD, Hell is many things. One is a destination, of course. More than that however, it’s a goal.
Here Comes the Devil is only the second film I've seen by writer-director Adrián García Bogliano, following a recent viewing of his "geriatric lunatics with nitroglycerine" horror movie Cold Sweat
The ultimate terror for any, even half-decent, parent is the unthinkable—yet perfectly feasible—concept of losing their child.
After the screening of The Last Days on Mars in the director's fortnight competition, many were wondering why exactly the clunky, derivative Mars-zombie movie was programmed at a high-class festiva
At this point in the history of science fiction film, there’s ironically little territory left to cover in space.
Abel Ferrara and writer Nicholas St. John’s first film, The Driller Killer, subverted the sexism found in most slasher flicks by offering a madman who targets derelicts rather than busty teens.