I have an affinity towards movies unafraid to revel in dark, seedy territory especially when they place a magnifying glass against flawed, often disturbed people making very flawed and fatal deci
It’s been a long six years since BLUE RUIN director Jeremy Saulnier graced the pages of FANGORIA (virtual or otherwise); back in 2007 his riotous horror comedy MURDER PARTY was a hit among
Mike Pereira continues his ten year anniversary of covering the Toronto International Film Festival with a review of Joe Begos’ highly ambitious, Almost Human, which harks backs to classic
Based on the broadest definition of genre, Alfonso Cuarón’s astounding new film GRAVITY doesn’t cleanly qualify as horror.
To be honest, I’ve grown exasperated with the whole found footage sub-genre.
Each year, TIFF’s Midnight Madness program provides a home for hungry genre buffs where blood is spilled for adoring crowds to squeal in delight.
I’ve been a fan of Writer/Director Ti West ever since Mr. Disgusting led me to his debut, The Roost. I was hooked right away.
More faux doc than “found footage,” Ti West’s THE SACRAMENT exceeds at effectively blurring lines, subsequently succeeding at being horrifying and grounded.