Bold, beautiful and utterly bonkers, Ben Wheatley's A Field in England is a mind-bending monochrome masterpiece likely to alienate as many as it seduces with its surreal visuals and delightfu
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You may think to yourself "can an entire film play out within the confines of a workplace bathroom and not be some vain attempt by an indie filmmaker to show how cool they are?" More so
Our midnight screening of Patrick, the passionate horror remake from Ozploitation devotee Mark Hartley (Not Quite Hollywood), began with an honest and slightly disconcerting preamble from the dir
Gary King (Simon Pegg) is that guy everybody knows from high school. The cautionary tale.
After the screening of Last Days on Mars in the director's fortnight competition, many were wondering why exactly the clunky, derivative Mars-zombie movie was programmed at a high-class festi
Sometimes a cigar is just a cigar, or as the case may be with Citadel, a group of violent, marauding child-demons is exactly that.
Nothing good ever happens on the block.
Nicholas McCarthy's The Pact promises an intriguing mash-up of ghost story and serial killer flick, permeated by psychological troubles and murky secrets from the past.
Two sisters try to lay low in Dublin while being pursued by long-coated inspectors.
There is a key to unlocking Peter Strickland's dense and puzzling Berberian Sound Studio. A line of dialogue that comes from the director of the film within the film. A slip of the tongue.