It’s somewhat ironic that Dennis Widmyer and Kevin Kolsch’s Starry Eyes, a film that literally singles out ambition as the blackest of human qualities, is the most ambitious film I have seen thus far at SXSW this year.
Writer/director Leigh Janiak’s Honeymoon is the rare example of a film that actually does quite a bit right but is critically hobbled by one miscalibrated piece of machinery.
Sometimes the movie is better than the book. Sometimes it isn’t. Odd Thomas, based on the Dean Koontz novel, attempts to transfer a seemingly interesting story from page to screen.
We all need to come to terms with the fact that found footage is here to stay for the time being.
When I got the screener for Stalled, I read the synopsis and rolled my eyes. First at the word “zombie” then at “horror-comedy.” But I’m happy as shit I gave it a shot, you guys.
Last year’s World War Z looked for a cure to the zombie outbreak.
Your life as a horror fan won’t be complete if you don’t see Nurse 3D.
I strongly disliked Kaare Andrews’ feature directorial debut, Altitude, which is why I found myself hesitant to get behind Cabin fever: Patient Zero, which is allegedly already out(?) in some countries, with a UK a
Remember those days as a teenager when you’d leave an action film so exhilarated, you’d start exchanging air jabs with your best friend in the theater lobby? The Raid 2: Berandal is that movie.