Paramount Insurge’s found footage exorcism flick The Devil Inside is now in theaters everywhere.
The Darkest Hour, while not awful or grating, is the kind of movie that you forget while walking out of the theatre.
If you’re on Santa’s naughty list, you’re in for a lot more than a lump of coal in Steven C. Miller’s liberal remake of the scandalous 80s slasher, Silent Night, Deadly Night.
While director Evan Kelly’s Canadian indie flick is being touted as a “sci-fi thriller”, over-eager viewers should note that the sci-fi elements take a good hour to reach maximum charge.
While I didn’t fall in love with The Collection, there’s something admirable about its ambition to not be more of the same.
Directed by 28 Weeks helmer Juan Carlos Fresnadillo, the screenplay by Jaime Marques and Nico Casariego attempts something quite unique with Intruders.
The French thriller, High Lane (AKA Vertige), takes the From Dusk ’til Dawn (FDTD) approach by starting off as one kind of film and ending up somewhere completely different.
I get what director Jason Eisner was trying to accomplish with Hobo With A Shotgun. Really, I do.
Last night I caught the world premiere of the Quentin Tarantino produced thriller, HELL RIDE, which was one of the most crowded screenings thus far at the Sundance Film Festival.