Any buff of the paranormal should be well acquainted with the Snedeker case that was the basis for this film. In truth it's nothing short of a harrowing story whether you believe it or not.
Mainstream film tends to go right for the jugular. An action sequence or ten, a touch of sex, and a bulletproof resolution are the ingredients for a happy, theater-going American.
At Fantasia’s Canadian premiere of Gens’ The Divide, this post-apocalyptic character study was cheerfully introduced by Michael Biehn as “a dark motherfucker”.
When it was announced last year that Matt Reeves (a director only known for directing a barely seen late Nineties David Schwimmer bomb and a movie about a CGI monster who takes over New York
Ah, geez, I don’t really know where to begin here.
The subject of possession is one of the most heated and debated topics of our time.
Have you spent the past year wishing for a movie to come along that would make a perfect second half of a double-bill to go along with Skyline? Well, merry Christmas to you all, for The Darkest Hour has arrived.
Steven C. Miller’s Silent Night is a movie that both delights and disappoints.