THE DISAPPEARANCE OF ALICE CREED isn’t really a horror movie, but it’s the best thing I’ve seen so far at this year’s Tribeca Film Festival, and is highly recommended to anyone who enjoys a good t
BURIED can’t necessarily be classified as a straight horror film, but it’s likely that you won’t have a more harrowing experience in a movie theater this year.
Just when you thought a horror remake couldn’t get any worse than Dimension’s PULSE, along came the same company’s BLACK CHRISTMAS (Weinstein Company/Genius Ent.) to race it to the bottom of the 2006 ba
The late Gene Siskel frequently gauged a movie’s quality with a question that has come to be known in the critical lexicon as Siskel’s Test: “Is this film more interesting than a documentary of the same
The most unwieldy sequel title in a while indicates that the movie is not really a sequel at all.
To address the most obvious question first: Yes, WARM BODIES is better than the TWILIGHT movies.
THE LAST EXORCISM is an exciting film. It’s exciting to watch, be a part of and then eagerly discuss after.
Where V/H/S was a raw, lo-fi and frightening odyssey via POV, its sequel is—and from the very outset—bigger, weirder and even reflective of its predecessor.
Dave Wong (Chase Williamson) meets reporter Arnie Blandstone (Paul Giamatti) late one night in an empty Chinese restaurant.