Vincenzo Natali, the Canadian director whose previous films like CUBE and SPLICE have plumbed the horrors of hard science, takes a successful turn toward the ghostly with HAUNTER.
Among the reasons cited for giving Stephen King’s CARRIE another cinematic whirl, one of the most prominent has been the rise of bullying as a concern since Brian De Palma’s 1976 adap
Maybe it takes a director this determined and crazy to make a film this deliciously weird.
How do you make a sequel to a film that came to a pretty concrete ending?
Here’s a tip for slightly sadistic event planners seeking to liven up yet another humdrum middle-aged dinner party: Pencil the soirée in for the same night a reality-refracting, modern conv
It is not rare to find a director appropriating, or recalling, the stylistic flair of Alfred Hitchcock, Brian De Palma or Dario Argento.
The suspenseful opening sequence of Mark Hartley’s narrative debut, PATRICK, deals in a time honored thriller trope.
It’s been a long six years since BLUE RUIN director Jeremy Saulnier graced the pages of FANGORIA (virtual or otherwise); back in 2007 his riotous horror comedy MURDER PARTY was a hit among
Based on the broadest definition of genre, Alfonso Cuarón’s astounding new film GRAVITY doesn’t cleanly qualify as horror.
The challenge involved in making a direct horror sequel like INSIDIOUS: CHAPTER 2 is that it’s harder to mystify and scare both audiences and the characters the second time around.