I have an affinity towards movies unafraid to revel in dark, seedy territory especially when they place a magnifying glass against flawed, often disturbed people making very flawed and fatal deci
Mike Pereira continues his ten year anniversary of covering the Toronto International Film Festival with a review of Joe Begos’ highly ambitious, Almost Human, which harks backs to classic
To be honest, I’ve grown exasperated with the whole found footage sub-genre.
Of all the things remarkable about Oculus
Every story has pretty much been told. When it comes to supernatural horror, every concept and image has been exhausted.
I’ve been a fan of Writer/Director Ti West ever since Mr. Disgusting led me to his debut, The Roost. I was hooked right away.
Sometimes we are frankly limited by our terminology. What do you call a film that uses in-world video?
You're going to hear a lot about this film, gushing hyperbole about how Alfonso Cuarón has created a new masterpiece of such wonderful elegance that it's a sight to behold.
When it comes to the ample challenge of squeezing out profit from an indie film, current dogma would have it that titles closer to the start of the alphabet do better on digital VOD platforms.
Back in 2001, Lucky McKee (May, The Woman) and Chris Sivertson (I Know Who Killed Me) teamed up to make their directorial debut with the rarely seen, shot-on-video horror flick, All Cheerleaders