With only a handful of movies, writer/director Ben Wheatley has already established himself as one of the finest filmmakers of his generation.
Each year, TIFF’s Midnight Madness program provides a home for hungry genre buffs where blood is spilled for adoring crowds to squeal in delight.
More faux doc than “found footage,” Ti West’s THE SACRAMENT exceeds at effectively blurring lines, subsequently succeeding at being horrifying and grounded.
Long before they made contemporary controversial horror favorites like MAY, THE WOMAN and THE LOST Lucky McKee and Chris Sivertson were a pair of fresh faced film grads who decided to shoot their
When it comes to the ample challenge of squeezing out profit from an indie film, current dogma would have it that titles closer to the start of the alphabet do better on digital VOD platforms.
Ready-to-pop pregnant Esther Woodhouse (Alexia Rasmussen, pictured above) is walking home from an obstetrician’s appointment when she’s brutally attacked in the street by a hooded str
Being a critic can be difficult because you have to weigh the artistic integrity of a film alongside the entertainment value.
Boy, was I excited to see this film. I’d heard great things.