With only a handful of movies, writer/director Ben Wheatley has already established himself as one of the finest filmmakers of his generation.
Each year, TIFF’s Midnight Madness program provides a home for hungry genre buffs where blood is spilled for adoring crowds to squeal in delight.
More faux doc than “found footage,” Ti West’s THE SACRAMENT exceeds at effectively blurring lines, subsequently succeeding at being horrifying and grounded.
Ready-to-pop pregnant Esther Woodhouse (Alexia Rasmussen, pictured above) is walking home from an obstetrician’s appointment when she’s brutally attacked in the street by a hooded str
Being a critic can be difficult because you have to weigh the artistic integrity of a film alongside the entertainment value.
Boy, was I excited to see this film. I’d heard great things.