Of all the things remarkable about Oculus
toronto film festival
Sometimes we are frankly limited by our terminology. What do you call a film that uses in-world video?
You're going to hear a lot about this film, gushing hyperbole about how Alfonso Cuarón has created a new masterpiece of such wonderful elegance that it's a sight to behold.
When it comes to the ample challenge of squeezing out profit from an indie film, current dogma would have it that titles closer to the start of the alphabet do better on digital VOD platforms.
When it was announced that Barry Levinson was going to be having a film as part of the TIFF Midnight Madness slate, and that it would be a found footage horror piece about infected water, I admit I
Two sisters try to lay low in Dublin while being pursued by long-coated inspectors.
It appears that Rob Zombie may have been studying up on his David Lynch lately as the metal-head-turned-filmmaker's latest is more head trip than it is horror.
A textbook case of a remake failing to improve on a classic original, Come Out And Play not only loses the context of the hidden Narciso Ibáñez Serrador directed gem, which was released on the heel
Playing in the Midnight Madness section to a ravenous audience expecting thrills every reel, the fact that Aftershock takes its sweet-ass time to get going feels like a bold move indeed.
Few films have the power to truly haunt their audience in a way Stanley Kubrick's The Shining does, and continues to do, 30 years after its initial release.